1. Osnove fizičnega gledališča 
Justin Durel in Alenka Marinič
Termini: petek in sobota dopoldan
Prisotnost na delavnici je možna vsak dan posebej, število udeležencev 4-20

Alenka Marinič (SLO) in Justin Durel (ZDA) skupaj poučujeta gledališče že pet let, odkar sta zaključila študij pri mentorju Giovanniju Fusettiju na Helikos International School of Theatre Creation.
Njune delavnice temeljijo na metodologiji Jacquesa Lecoqa, v njih pa raziskujeta nastopanje z vidika telesnosti, pri tem pa vedno poudarjata prepletanje tehnike z igrivostjo. Od tradicionalih tehnik dela z masko in pantomime do sodobnih gestalt tehnik in klovnovstva gradita pristop na prepričanju, da zakonitosti gibanja določajo orodja, s katerimi se lahko performer igra, in da performerjeva raba orodji določa, kaj je moč izraziti na odru. Z raziskovanjem diha, prostorskega zavedanja, telesne drže, gest in govorice telesa se v svojem pristopu osredotočata na čustva, ki se porodijo, ko se srečata tehnika in igrivost.

2. GLASno za družbene spremembe
Metka Bahlen Okoli
Termini: petek in sobota popoldan ter nedelja dopoldan (priprave na produkcijo – vaja oz. generalka)
Prisotnost na delavnici je potrebna ves čas, število udeležencev 6-12.
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Metka Bahlen Okoli deluje kot pedagoginja in andragoginja ter mladinska delavka z dolgoletnimi izkušnjami pri delu v projektih aktivne participacije v Zavodu Bob. Je pevka, pripovedovalka in iz leta v leto bolj aktivna pri promociji in razvoju dela s tehnikami gledališča zatiranih.

​Estetika gledališča zatiranih, poezija, ritem in zvok… To bodo naši spremljevalci in vodilo. Navdih za aktivistične skladbe bomo iskali v sebi, okrog sebe, v drugih, v medijih. Ustvarili bomo performans s koncertom avtorskih aktivističnih pesmi: o tematikah, ki nas mučijo in intrigirajo ter družbenih razmerah, ki potrebujejo spremembo! Estetika gledališča zatiranih je skupek raznolikih pristopov in tehnik, ki se združijo v eni z željo po estetizaciji prizorov zatiranja. Proces raziskovanja poteka preko pisanja pesmi, pisem in osebnih refleksij, ki se nato upodobijo na raznolike načine – s slikanjem, fotografiranjem, preko plesa, glasbe, inštalacij ipd.

3. Osebno je gledališko!
Tin Grabnar
Termini: petek in sobota cel dan
Prisotnost na delavnici je možna vsak dan posebej, število udeležencev 5-15

​Tin Grabnar zaključuje študij režije na AGRFT-ju v Ljubljani. Že v času šolanja je intenzivno sodeloval na področju performativnih in gledaliških praks. Kot član gledališča Moment, Gledališke šole Prve gimnazije, Gledališke šole MKC in vodja gibalnega gledališča Dotik je ustvaril vrsto predstav, ki so odmevale doma in v tujini. Svoje interesno polje je širil tako v klasičnem kot tudi alternativnem, plesnem in lutkovnem gledališču.

​V delavnici Osebno je gledališko! bomo parafrazirali znano frazo ‘osebno je politično’ in v osebnih zgdbah poiskali gledališko moč. Skozi uvodne vaje za vzpostavitev skupinske dinamike in medsebojnega zaupanja, se bomo podali na raziskavo naših osebnih izpovedi in raziskali mejo med fiktivnim in realnim. Kako lahko svoje pripovedi preoblikujemo, da postanejo gledališko učinkovite in na odru dobijo izpovedno moč? Ali lahko tudi izmišljeno zgodbo povemo tako, kot če bi bila naša osebna? Poleg pripovedi bomo raziskali še druge performativne možnosti in načine uprizarjanja. Preizkusili se bomo v različnih gledaliških pristopih in vsakemu izmed sodelujočih poiskali njemu/njej lasten izraz.

1. Basic Elements of Physical Theatre, Justin Durel in Alenka Marinič

Dates: Friday and Saturday morning
It is possible to attend each day separately, number of participants 4-20

Alenka Marinič (SLO) and Justin Durel (USA) have been teaching theatre together for five years, since they finished their studies at the Helikos International School of Theatre Creation, under master teacher Giovanni Fusetti. Rooted in the pedagogy of Jacques Lecoq, their workshops explore performance from a physical perspective, always emphasizing the interaction between technique and play. From traditional techniques of mask and corporeal mime, to modern techniques of gestalt and clown, their pedagogy believes that the laws of movement determine the tools with which the performer can play—and that the performer’s use of these tools determines what can be expressed on stage. Exploring breath, spatial awareness, human postures, gestures, and body language, the pedagogy of Durel and Marinič focuses on the emotions that arise when technique and play meet. ​

2. Give VOICE to social change, Metka Bahlen Okoli

​Dates: Friday and Saturday afternoon, Sunday morning (general rehearsal for presentation)
It is necessary to attend all days, number of participants 6-12

Metka Bahlen Okoli works as a pedagogue, andragogue and youth worker with years of experience in working with projects active participation at the Bob association. She is a singer, storyteller and active in developing and promoting techniques of Theatre of the oppressed.
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Aesthetics of the oppressed, poetry, rhythm, sound … These are our starting points and guidelines. We will look for inspiration for creating activist songs inside ourselves, in our environment, in others in the media etc. The final aim is to create a performance and concert of our own activist songs about topics which irritate and intrigue us and about social conditions which call for change! Aestethics of the oppressed is a combination of diverse approaches and techniques with the goal of aesthetisation of scenes of oppression. The process of research proceeds from writing poetry, letters and personal reflections to performing them in divers ways – by painting, photography, dance, music, installations etc.

3. Personal is theatrical! Tin Grabnar

Dates: Friday and Saturday all days.
It is possible to attend each day separately, number of participants 5-15

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Tin Grabnar is a senior student of theatre direction at the Academy of theatre, radio, film and television in Ljubljana. Already in high school he was very active in the field of performance and theatre. As member of Moment Theatre, MKC Theatre School and as leader of the physical theatre Dotik he created a series of performances meeting with wide acclaim at home and abroad. His interests lie in classical as well as in alternative, dance and puppet theatre.
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In the Personal is theatrical! workshop we will reformulate the well-known expression ‘personal is political!’ and look for theatrical power in personal stories. Through introductory exercises in group dynamics and mutual trust we will embark on a research of our personal statements and explore the line between fiction and reality. How to rearrange one’s  personal story to make it theatrically effective and become expressive on stage? Can we tell a fictive story in a way to make it sound like a personal one? Beside storytelling we will also explore other means of performance, trying out different theatrical approaches and finding an appropriate means of expression for each participant

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Organizirano varstvo za otroke v času delavnic bosta izvajali Transformatorki Nina Milavec in Adriana Vučković.
Program obsega:

• gibanje v naravi, igra z naravnimi elementi – koreninami, potoki, kam­ni, podrtimi drevesi
• ustvarjalne urice iz naravnih materialov (kar najdemo v gozdu, na travniku, v potoku)
• kultura (gledališke igrice, branje pravljic, v kolikor bo interes tudi priprava predstave)
• družabne igre …

Program pa vključuje tudi dve predstavi:
Cirkus ponovne uporabe (četrtek, 7. 7. 2016, ob 18.00),
Pot v tadam (petek, 8. 7. 2016, ob 19.00).

The organised programme for children during the time of workshops will be conducted by two members of the Transformator Society: Nina Milavec and Adriana Vučković.
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The programme includes:

• outdoor exercise, playing with elements of nature – roots, brooks, stones, fallen trees etc.
• creativity with natural materials (what can be found in a forest, a meadow, a brook)
• culture (theatre games, fairytales, preparation of a performance if there is enough interest)
• social games

The programme also includes two performances:
Recycling Circus (Thursday, 7.7. 2016 at 18:00)
Road to Tadam (Friday, 8.7. 2016 at 19:00)

ČETRTEK, 7. 7. 2016

od 15.00 registracija
16.00 otvoritev Ne-festivala in Ne-festivalski piknik
18.00 Cirkus ponovne uporabe (predstava za otroke in odrasle)
21.00 Outopia: vaja iz participatorne demokracije

PETEK, 8. 7. 2016

8.30-10.00 zajtrk
10.00-13.00 DELAVNICE
13.00-15.00 kosilo in prosto
15.00-18.00 DELAVNICE
18.00 večerja
19.00 predstava Pot v tadam (predstava za otroke in odrasle)
21.00 Ne-festivalski ne-koncert

SOBOTA, 9. 7. 2016

8.30-10.00 zajtrk
10.00-13.00 DELAVNICE
13.00-15.00 kosilo in prosto
15.00-18.00 DELAVNICE
18.00 večerja
21.00 predstava Lepo je v naši domovini bit prekerc/ka
23.00 predstava Bitja Teme

NEDELJA, 9. 7. 2016
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8.30-10.00 zajtrk
10.00-13.00 DELAVNICE
13.00-15.00 kosilo in prosto
16.00-17.00 ogled mesta in produkcija delavnic
18.00 slavnostna večerja in zaprtje Ne-festivala

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​*Pridržujemo si pravice do spremembe programa.

PROGRAMME*
 
THURSDAY, 7. 7. 2016

from 15.00 registration
16.00 opening of the Non-Festival and the Non-Festivbal outdoor party
18.00 Recycling Circus (performance for children and grown-ups)
21.00 Outopia: an Experiment in Participatory Democracy

FRIDAY, 8. 7. 2016

8.30-10.00 breakfast
10.00-13.00 WORKSHOPS
13.00-15.00 lunch and free time
15.00-18.00 WORKSHOPS
18.00 dinner
19.00 performance Road to Tadam (performance for children and grown-ups)
21.00 The Non-Festival (Non) concert

SATURDAY, 9. 7. 2016

8.30-10.00 breakfast
10.00-13.00 WORKSHOPS
13.00-15.00 lunch and free time
15.00-18.00 WORKSHOPS
18.00 dinner
21.00 performance The Ups and Downs of Precarious Work
23.00 Creatures of the Dark

SUNDAY, 9. 7. 2016

8.30-10.00 breakfast
10.00-13.00 WORKSHOPS
13.00-15.00 lunch and free time
16.00-17.00 sight-seeing tour of the town and presentation of workshops
18.00 gala dinner and closing of the Non-Festival
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​*We hold the right to change the program

​Četrtek, 7. julij 2016

18.00 CIRKUS PONOVNE UPORABE/ Razbiti junaki (predstava za otroke in odrasle)
Predstava črpa iz družbenega eksperimenta oz. uličnega performansa Miše Gams iz leta 2013/14, ko mimoidočim čisti čevlje. Vključuje tehnike impro-gledališča in lutkovni del, ki nagovarjata etična izhodišča za boljšo socialno in ekološko sliko sveta, kajti glavni protagonisti so marginalci, ranljivi in hendikepirani, torej RAZBITI, ki najdejo (skupno) pot, da postanejo JUNAKI.
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​Idejna zasnova, izvedba: Jonas Žabkar, Iuna Ornik, Miša Gams,Elvis Berljak
Idejna zasnova prizora z račko: Janez Kocman
Lutke: Iuna Ornik
Tehnična pomoč in rešitve: Zoran Srdić Janežič
Produkcija: Gledališče Lalanit- Društvo lutkovnih ustvarjalcev
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21.00 predstava Outopia: vaje iz participatorne demokracije
Zadnje novice: „V deželi Outopia se je zgodilo nemogoče! Po vstaji nezadovoljnih množic je ljudstvo odstavilo oholo politično elito in oblast prevzelo v svoje roke. Izpolnjen je dolgoletni sen nezadovoljnih državljank in državljanov, ki so se odločili uvesti novo obliko družbeno-politične ureditve. Ta temelji na načelih enakosti, solidarnosti, pravičnosti in participatorne demokracije. V naši deželi je oblast končno spet ljudska, od ljudi, za ljudi!“
Takšen scenarij ponuja Outopia, interaktivna predstava, ki vabi udeležence, da preizkusijo slasti in pasti političnega odločanja. Kdo izmed nas še ni pomislil, da bi sam gotovo bolje vodil državo kot pa t.i. demokratično izvoljeni politiki, ki nam vladajo? Tu je priložnost, da se poizkusite v praksi. Postanite poslanci novega ljudskega parlamenta Outopie in tvorno sooblikujte prihodnost države. Moč je končno v vaših rokah. A pozor, moč prinaša tudi odgovornost. Se vam bo posrečilo premagati vse ovire in popeljati deželo v boljši jutri, v resnično utopijo?
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Zasnova in izvedba: Andraž Golc, Nina Vombergar, Jaka Andrej Vojevec
Video: Jaša Jenull
Producentka: Barbara Polajnar
Produkcija: Pekarna Magdalenske mreže Maribor

Petek, 8. julij 2016

19.00 Pot v Tadam (predstava za otroke in odrasle)
V ulični pustolovščini »Pot v Tadam« trije igralci s tremi predmeti na enem mestu uprizarjajo divjo popotniško avanturo – pustolovščino, ki jih vodi preko gora, čez pečine, skozi tornado in po neukrotljivih slapovih. Z veščinami manipulacije predmetov na ulici gradijo letala in ladje ter preko pantomime ustvarjajo travnata obzorja, reke in celo bruhajoči vulkan, ki mu morajo junaki ubežati, če želijo svoje popotovanje tudi preživeti. »Pot v Tadam« je razburljiva ulična pustolovščina, nepričakovana ljubezenska zgodba in metafora za nekaj, kar iščemo vsi … boljši nov dan.
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Avtorji in igralci: Anja Bezlova, Justin Durel, Alenka Marinič/Alla Abramova
Režija: Alenka Marinič
Produkcija: Globus Hystericus

​21.00 Ne-festivalski koncert

Sobota, 9. julij 2016

21.00 forumska predstava Lepo je v naši domovini bit prekerc/ka
Koliko vas je že izkusilo položaj, ko je v žepu zevala luknja, in ste komaj čakali tisti dan v mesecu, za katerega ste trdo garali, in potem, ko je le napočil, s cmokom v grlu, zrli v številke in se zavedeli, da so vas pravkar pošteno biiiiiiiipnili? Kolikokrat so vas na razgovoru za delo vprašali, če imate študentsko napotnico ali S.P. in vas gladko odslovili, ker niste imeli za njih zaželenega statusa? Ste že izkusili neenakomerno razporeditev delovnih ur, ko ste en mesec dobili komaj kaj dela, naslednjega pa si niste morali oddahniti niti za en dan? V kakšen položaj vas potiskajo take oblike dela?
Si lahko privoščite samostojno življenje, prenovo stanovanja, načrtujete počitnice in greste po nakupih, ne da bi bili pozorni na vsak cent, ki ga zapravite? Kaj nam je v takšnih in podobnih situacijah storiti, bomo Vsealiničevci, skupaj z gledalci-igralci razkrivali v forumski predstavi na temo prekernega dela. Izhajali bomo iz konkretne izkušnje, znane osebe, na znanem kraju in ob znanem času.
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Nastopajo: ekipa Vse ali nič
Produkcija: Zavod BOB, Kulturno umetniško društvo Transformator.
Mentorji: Metka Bahlen Okoli, Barbara Polajnar in Jaka Andrej Vojevec

​23.00 predstava Bitja teme
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Prihajajo. Popeljala nas bodo v grozljivi svet pod zemljo. Tja, kjer se vse konča, a tudi na novo začne. Boste zdržali?
Predstava govori o temnih plasteh človeške duše, o rani, ki jo je potrebno sprejeti, ljubiti in izživeti, če želimo spoznati sebe in zares živeti… Predstava traja 30 minut.
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Nastopajoči: Tjaša Balantič, Tina Stibilj, Delajda Hribernik, Alex Kodek, Nina Trebec, Jatun Risba

Nedelja, 10. julij 2016
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16.00-17.00 ogled mesta in produkcija delavnic.

Thursday, July 7th, 2016

18.00 RECYCLING CIRCUS/ Broken Heroes (performance for children and grown-ups)
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The performance derives from a social experiment/street performance conducted by Miša Gams in 2013/14, in which she was cleaning bypassers’ shoes. It includes the techniques of improvised theatre and puppets which address ethical guidelines for a better social and more ecological image of our world. The main characters include members from marginal and unprivileged groups and handicapped persons – BROKEN people who (together) find a way to become HEROES.

Concept and performers: Jonas Žabkar, Iuna Ornik, Miša Gams, Elvis Berljak
Concept of the duck scene: Janez Kocman
Puppets: Iuna Ornik
Technical support: Zoran Srdić Janežič
Production: Lalanit Theatre

21.00 performance Outopia:
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Latest news: The impossible has happened! In the state of Outopia there an unprecedented twist has occurred. After a general uprising of the people the political elite has decided to renounce its power and pass it peacefully and consensually into the hands of the people. Thus the year-long dreams of discontent citizens has been fulfilled and they decided on a plebiscite to implement a new form of socio-political organisation based on the principles of equality, solidarity, participation and direct democracy and first and foremost on the abolition of any kind of exploitation, inequality and coercion. The people finally govern Outopia, from the people for the people. All conditions have thus been met, the golden age is about to dawn. But will this be the case?
This is the starting point of Outopia, an experimental interactive performance which aims to explore possible alternatives to existent socio-political structures in theatrical form. It also poses the question to what extent people are actually aware of the possibilities of change, the quality of change, and mostly, of the consequences that such changes might bring on the social as well as on the individual level.
Idea and performed by: Andraž Golc, Nina Vombergar, Jaka Andrej Vojevec
Video: Jaša Jenull
Producer: Barbara Polajnar
Design: Jasmina Ploštajner
Production: Pekarna Magdalenske mreže

Friday, July 8th, 2016

19.00 Road to Tadam (perform
ance for children and grown-ups)
In the street adventure play Road to Tadam, three performers stage a wild travelling adventure using only three objects and a single space – an adventure taking them over mountains, cliffs, huge waterfalls and a tornado. By skillful manipulation of objects they build airplanes and boats in the street and by using pantomyme they depict grassy horizons, rivers and even an erupting volcano they have to get away from in order to survive their journey. Road to Tadam is an exciting street adventure, an unexpected love story and a metaphor for what we are all looking for – a better tomorrow.
Authors and performers: Anja Bezlova, Justin Durel, Alenka Marinič/Alla Abramova
Director: Alenka Marinič
Production: Globus Hystericus
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21.00 The Non-Festival Concert

Saturday, July 9th 2016

​21.00 Forum play: The Ups and Downs of Precarious Work

Have you ever been in a position with no money in your pockets, anxiously waiting for the one day in the month for which you had toiled and sweated, but once it finally came, you saw the numbers only to realise that you have been majorly f****d? Have you ever been at a job interview and they asked you if you are a student or self-employed and if you didn’t have the desired status they simply cut you off?  Have you experienced unbalanced timetables, getting hardly any work one month and hardly any rest the next one? How do you feel about such modes of employment?
Can you afford living on your own, adapting your flat, planning vacation and shopping without counting every cent? What is to be done in situations like that will be revealed in cooperation with the spect-actors by the All-or-nothing group in a forum play dealing with the topic of precarious work. Deriving from a concrete experience of a known person at a known place at a known time.

Performers: the All-or-nothing team
Production: BOB Association, Transformator Society.
Tutors: Metka Bahlen Okoli, Barbara Polajnar and Jaka Andrej Vojevec

23.00 Creatures of the Dark
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They are coming to take us into a terrifying underground world. To the place, where everything comes to an end, but also begins anew. Are you strong enough?
The performance talks about the dark sides of the human soul, about a wound that has to be accepted, loved and lived in order to know oneself and start living for real…
Duration: 30 minutes.
Performers: Tjaša Balantič, Tina Stibilj, Delajda Hribernik, Alex Kodek, Nina Trebec, Jatun Risba

40 € za štiri dni, 30 € za dva dni oziroma 15 € za en dan.
Cena vključuje prenočišče v Ne-festivalskem kampu, tri vegetarijanske obroke na dan in organizirano varstvo za otroke.

Barbara Polajnar – programska vodja in producentka
Urša Adamič – producentka in stiki z lokalno skupnostjo
Nina Milavec in Adriana Vučkovič – otroški program
Janko Oven – vodja tehnike
Jaka A. Vojevec – vodja kempa in prevajalec
Ankica Radivojević – spletna stran
Neja Šmid – info točka, finance
Nežka Struc in Primož Časl – Ne-festivalska kuharja
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​Produkcija: Kulturno umetniško društvo Transformator, Pekarna Magdalenske mreže Maribor, Zavod BOB.