1. Govorimo o seks(izm)u
7. 7. 2017; džokerja: Barbara Polajnar in Tomaž Podbevšek (Sl)

Kaj je seksizem? Kje in kako ga zaznavamo? Bi se ga morali izogibati, ignorirati, živeti z njim ali se mu upreti? Ga v vsakdanjem življenju sploh prepoznamo? Ali postaja seksizem oblika ponotranjenega zatiranja kot del neoliberalnega sistema? Zakaj bi se morali iz dneva v dan boriti proti temu? Ta in podobna vprašanja bomo raziskovali na delavnici Govorimo o seks(izm)u, v kateri se bomo z estetiko zatiranih soočili s ponotranjenim seksizmom prisotnim v naši družbi.
Estetika zatiranih je izraz, ki ga je Augusto Boal uporabljal za celo paleto kulturnih in umetniških dejavnosti, ki jih skupnosti razvijejo za izzivanje, upiranje in transformiranje zatiranja. Kot nadgradnja izhodišč gledališča zatiranih in pedagogike zatiranih estetika obnavlja moč umetnosti in gledališča za “osvobajanje tako zatiralca kot zatiranega”, kar nam prek ustvarjalnosti, umetnosti, dialoga in izobraževanja “povrne najglobljo človečnost”.

Barbara Polajnar je magistrirala iz kulturologije na področju Gledališča zatiranih. Deluje kot organizatorka kulturnih dogodkov, trenerka in mentorica delavnic in usposabljanj po metodi gledališča zatiranih z različnimi skupinami v Sloveniji in tujini. Je so-ustanoviteljica KUD Transformator in gledališko-aktivistične skupine ZIZ, ki obravnava tematike spola preko pristopov gledališča zatiranih.
Tomaž Podbevšek je član gledališko aktivistične skupine ZIZ in ulične gledališke skupine SepateKapate. Je moderator in član »Iniciative mestni zbor« (IMZ). Poleg moderiranja samoorganiziranih zborov pripravlja tudi skupnostne radijske oddaje z naslovom»Uglašene četrti«. Pripravlja tudi prispevke za radijsko oddajo »M’rš Pizda«, ki je namenjena družbeno angažiranim in aktivističnim vsebinam in piše članke za fanzin Pizda!,kjer obravnavajo različne družbeno-angažirane, aktivistične in kreativne vsebine.

2. Gledališče zatiranih pod lupo
8.7. 2017; džokerja Eliana Schüler (DE) in Joschka Köck (AT)

Eliana Schüler in Joschka Köck bosta z različnih vidikov raziskovala gledališče zatiranih kot obliko družbenega in političnega gledališča. Eliana je po poklicu gledališka pedagoginja, ki je gledališko pot začela z gledališčem zatiranih, v zadnjih letih pa je prišla tudi do nekaterih zunanjih uvidov o GZ kot političnem gibanju in obliki gledališča. Joschka pa je praktik GZ,ki se ukvarja z notranjimi vprašanji gledališča zatiranih. Dramaturško delo pri drugem političnem gledališču in izkušnja z imerzivnim gledališčem sta ga vodila k prizpraševanju lastnih praks. Eliana in Joschka sta nekaj let skupaj delovala v okviru skupine Theater der Unterdrückten Wien.

Na delavnici se bomo ukvarjali z vprašanji, kot so: Kaj je specifična uporaba forumskega gledališča z vidika širše (politične) gledališke perspektive? Kako se lahko izognemu temu, da gledališče zatiranih postane gledališče sloganov z minimalno estetsko vrednostjo? Je mogoče s pomočjo gledališča doseči politične spremembe in kako? Je GZ/forumsko gledališče res najboljši način za doseganje tega? Kakšne so specifične prednosti in slabosti GZ kot oblike gledališča s stališča udeleženca in zunanjega opazovalca?

3. Je strah naš največji zatiralec?
7. in 8. 7. 2017; džokerja: Hana Milenkovska in Valentino Apostolovski (MK)

Ker sva umetnika, ki delujeva v okolju polnem izzivov, se bova spopadla s tematiko, ki je prastara, a žal še danes zelo relevantna – to je strah. Odkrivali boste strah, ki nam onemogoča, da se povežemo med seboj in razvijemo sočutje do sočloveka, ki nam preprečuje, da stopimo v akcijo proti krivicam sveta.
Cilj delavnice je vzpodbuditi in navdihniti udeležence k angažiranosti in uporabi gledališča in drugih performatvnih zvrsti kot orodij za doseganje sprememb v različnih okoljih.
Delavnica vključuje telesno aktivnost (ki ne bo preveč zahtevna in bo prilagojena potrebam in zmožnostim udeležencev), zato bo za naju kot mentorja ključno, da vnaprej izveva, če je komu od udeležencev kakšna oblika človeškega stika problematična, da bova lahko pomagala pri procesu delovanja v lastnih okvirih. Tematike, ki jih želiva obravnavati, bomo prilagajali glede na doprinos samih udeležencev.
Hana Milenkovska je mlada makedonska režiserka, trenutno zaposlena v Gledališču za otroke in mladino v Skopju. Poznavanje gledališča zatiranih si je pridobila z udeležbo na treningih in različnih umetniških pobudah. Kot dramska pedagoginja za otroke in mladino je metode GZ prilagajala in uporabljala pri delu z depriviligirano mladino. Večinoma dela z romskim prebivalstvom v Makedoniji.
Valentino Apostolovski je sodobni plesalec, koreograf in učitelj plesa iz Skopja. Deluje pri raznolikih projektih, od plesnih predstav do dramskih iger in delavnic. Večinoma se ukvarja z gibalnim raziskovanjem. Skozi delavnice sodobnega plesa se uči in razvija nove gibalne tehnike, skozi performativno umetnost pa spoznava družbeni angažma, fizično gledališče, koregrafijo in oblikovanje odrskega giba v gledališču, pedagoškem in mladinskem delu.

4. Moja osebna zgodovina
6.-9. 7. 2017, DEOS Center starejših Gornji Grad
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Delavnica je zastavljena kot medgeneracijski dialog s starejšimi, za katere vemo, da so polni zgodb in izkušenj. Skozi pogovorno formo in s pomočjo predmetov, ki jih hranijo se zapišejo zgodbe, ti predmeti pa se pofotografirajo. Nastanejo intimni portreti zbrani v knjižici, ki se jo da podariti in na plakatu, ki bo visel v prostorih, kjer bivajo. Zgodbe starejših so skriti zaklad, ki nas obogatijo, njim pa dajejo občutek sprejetosti in povezanosti.
Delavnico bodo z mentorji Nefestivala sooblikovali uporabniki DEOS Centra starejših Gornji Grad. Po končani večdnevni delavnici bo tudi predstavitev za krajane Gornjega Grada in obiskovalce letošnjega Nefestivala.
Džokerji: Simon Macuh, Andreja Džakušič and Metka Bahlen Okoli 

5. Gledališka delavnica za otroke
8. 7. 2017

Gledališka delavnica namenjena otrokom bo kombinacija različnih gledaliških tehnik od gledališke improvizacije do gledališča zatiranih. Prek zabavnih ogrevalnih iger se bomo spoznali in pričarali okolje, v katerem se bomo svobodno ustvarjalno izražali. Prav gotovo pa ne bomo pozabili tudi na glasbene prvine, ki bodo naše delo obogatile. Ob koncu delavnice bomo pripravili krajšo produkcijo, nastop.

Teja Bitenc je gledališka in glasbena pedagoginja v Pionirskem domu v Ljubljani. Pri svojem delu se poslužuje različnih tehnik gledališča od improvizacije do gledališča zatiranih. Poleg pedagoškega dela pa nastopa v različnih zasedbah s predstavami za otroke od »Pravljičarije« do produkcij Pionirskega doma (Show strahov, Žogica Marogica itd.) s katerimi gostuje na različnih prizoriščih po Sloveniji (Festival Nuk, Trnfest, Knjižni sejem, Igraj se z mano itd.) Sinhronizira tudi risanke predvajane na različnih slovenskih televizijskih programih (Ninja želve, Kung Fu Panda, Vilinski starši itd…).

WORKSHOPS

Let’s talk about sex(ism)
7. 7. 2017; jokers: Barbara Polajnar in Tomaž Podbevšek (Sl)

What is sexism? Where and how do we feel it? Should we avoid it, ignore it, live with it hands to hands or resist it? Do we even recognize it in our everyday life? Is sexism becoming an internalized oppression as part of the neoliberal system? Why should we fight against it every day?These are the questions we’ll explore on the workshop Let’s talk about sex(ism), facing internalized sexism in our society by using Aesthetic of the Oppressed. Aesthetics of the Oppressed is the term that Augusto Boal used to refer to the full spectrum of cultural and artistic activities that a community develops to resist, challenge and transform oppression. Building on the foundations of Theater of the Oppressed (TO) and the Pedagogy of the Oppressed, Aesthetics of the Oppressed recuperates the power of art and theater “to liberate both oppressor and oppressed” and “recover our deepest humanity” through creativity, art, dialogue and education

Barbara Polajnar holds an MA degree in cultural studies in the field of theatre of the oppressed. She is working as organiser of cultural events and trainer and facilitator of workshops and trainings in theatre of the oppressed methods with various groups in Slovenia and abroad. She is the co-founder of the KUD Transformator association and the theatre-activist group ZIZ which uses TO approaches to deal with gender issues.
Tomaž Podbevšek is a member of the theatre-activist group ZIZ and the street-theatre group  SepateKapate. He works as a moderator and member of the »Town Assembly Initiative«. He also prepares community radio broadcasts entitled »Uglašene četrti« (Harmonic neighbourhood). He also contributes to the radio show »M’rš Pizda«, dedicated to engaged and activist issues and writes articles for the  Pizda! Fanzine dealing with diverse engaged, activist and creative issues.

Theatre of the Oppressed under investigation from the inside out
8. 7. 2017, jokers: Eliana Schüler (DE) in Joschka Köck (AT)

Looking at Theatre of the Oppressed (TO) as a social and political theatre form, Eliana Schüler and Joschka Köck take different perspectives: Eliana is a theatre pedagogue by profession who has started her investigation into theatre with TO, but gained some outside perspectives on TO as political movement and theatre form in the past years. Joschka is a TO practitioner who has questions to his own movement from the inside. Working as dramaturge in another political theatre company and learning more about immersive theatre made him question his own practice. Eliana and Joschka worked together at Theater der Unterdrückten Wien for some years.

The workshop will be about questions like: What is the specific use of forum theatre looking at it from a broader (political) theatre perspective? How can we avoid TO becoming a theatre of slogans with few aesthetic value? Can we reach political change through theatre and if yes how? And is TO/Forum theatre the best way to get there? From an insider’s/outsider’s perspective: What are the specific strengths and weaknesses of TO as a theatre form?

Is fear our biggest oppressor?
7.-8. 7. 2017; jokers: Hana Milenkovska, Valentino Apostolovski (MK)

As artists coming from a challenging context we would like to tackle a theme, still painfully relevant, since the dawn of time, Fear.  The fear that prevents us from connecting and empathizing with our fellow humans, therefore prevents us to engage against the injustices of the world.
The goal of the training is to encourage and inspire the participants to  engage and use theatre and other performative disciplines as a tool for change in any given context.
The workshop activities have a strong physical aspect (not too demanding and adapted to the needs and abilities of the participants) but it is crucial for us (the workshop leaders) to know beforehand if there is a certain aspect of human contact you find challenging as a participant, and we will try to facilitate the process of helping you work within your frame. The topics we wish to tackle which will be modified by the input we receive from participants.
Hana Milenkovska, a young theatre director from Skopje, Macedonia  currently employed in the Children and Youth Theatre in Skopje. She has extensive background in TO, as a participant in trainings and various  artistic initiatives. As a drama pedagogue for children and youth she has used  and modified  the TO methods as a part of the tools used in work with underprivileged youth, bouncing back and forth within the system, and most of her work is in projects with the Roma community in her native country.
Valentino Apostolovski is a freelance contemporary dancer, choreographer and dance teacher from Skopje, Macedonia. His freelance work includes working on different projects, such as dance performances, drama plays, and workshops.  His focus is on movement research, learning and developing new movement techniques for different kinds of movement/dance workshops for contemporary dance, social action through performing arts, physical theatre, choreography and stage movement design for theatre, pedagogical work, youth work.

My personal history
6.-9. 7. 2017, DEOS centre for elderly people in Gornji Grad

The workshop functions as an intergenerational dialogue with the elderly who have plenty of stories and experience to share. Through discussion and objects they have kept we will write down their stories and take photographs of these objects. Thus we will create a series of intimate portraits published in a booklet and on a poster that will decorate the place where they live. The stories of the elderly are a hidden treasure which allow them to feel accepted and connected.
In cooperation with the Non-festival facilitators, the workshop will be coordinated by the dwellers of the DEOS centre for elderly people in Gornji Grad. After the workshop we will also make a presentation for the local community and Non-festival participants.
Jokers: Simon Macuh, Andreja Džakušič and Metka Bahlen Okoli

Theatre workshop for children
8. 7. 2017

It is a combination of diverse theatre techniques, from theatre improvisation to theatre of the oppressed. By playing fun warming up games we will prepare an environment in which we will be able to express ourselves freely, not forgetting about musical elements to enrich our work. We will also prepare a short presentation at the end of the workshop.

Teja Bitenc is a theatre and musical pedagogue working in Pionirski dom in Ljubljana. In teaching she implements diverse theatre techniques, from theatre improvisation to theatre of the oppressed. Beside teaching, she also acts in performances for children, from »Pravljičarije« to the productions of Pionirski dom (Show strahov, Žogica Marogica etc.) which are presented all around Slovenia (Festival Nuk, Trnfest, Knjižni sejem, Igraj se z mano itd.) She also dubbs animated films featuring on different Slovene TV channels (Ninja Turtles, Kung Fu Panda, Vilinski starši etc.).

ČETRTEK, 6. 7. 2017, 20.00
BRUTALCI

Vsi poznamo Butalce, ki znajo s svojo dobrodušno zarobljenostjo zajemati življenje z veliko žlico. Marsikatera od njihovih prigod in domislic nam veliko pove o nas samih, o tem kdo smo in kakšni smo. A potem se je zgodilo nekaj nenavadnega. Bolj ko je šlo Butalcem dobro, bolj so postajali nezadovoljni, zadirčni in zlovoljni. Pozabili so na prijateljstvo, sprli so se s sosedi, okoli sebe pa so začeli postavljati zidove iz ograj in tehničnih ovir. In potem so Butalci nenadoma izginili. Kaj se je zgodilo z njimi? Pridružite se nam in morda se nam skupaj posreči odkriti, kako so Butalci postali Brutalci.

Koncept: Urban Logar, Jaka Andrej Vojevec
Režija: Jaka Andrej Vojevec
Glasbeni aranžma: Urban Logar
Nastopata: Urban Logar, Jaka Andrej Vojevec
Producentka: Klavdija Zupan
Produkcija: KUD Transformator
​Koprodukcija: Društvo Matafir

​PETEK, 7. 7. 2017, 21.00
ČIGAVA SKRB?

Evelyn skrbi za očeta Richarda, ki je že malo dementen in betežen. Oče noče, da bi zanj skrbela medicinska sestra, za to ima vendar hčer, a zaradi tega Evelyn nima skoraj nobenega časa zase. Evelynin brat Martin sicer tudi občasno skrbi za očeta, vendar zelo nerad in očitno ni preveč nadarjen za to. Skozi dogajanje se jasno pokažejo patriarhalne predstave o družini in hitro postane očitno, da skrbniško delo v naši družbi ni primerno priznano.

​Nova forumska predstava skupine „Das ReflActiv“ z različnih vidikov obravnava krivice povezane s skrbniškim delom, ki ni dovolj cenjeno. Predstava izpostavlja tudi težave moških pri obravnavanju skrbništva kot značilno ženskega dela. „Čigava skrb?“ se ukvarja z različnimi fazami v človeškem življenju.

Izvedba: Das ReflActiv (TdU Wien)

SOBOTA, 8. 7. 2017, 19.00
TUDI PEPELKA LAHKO (predstava za otroke in družine)

Kaj bi Pepelka naredila ….
Če ptičke šivat ne bi znale?
Če dobra vila čarobno palčko bi izgubila?
Če lepi princ imel bi drisko?
Le kaj Pepelka bi lahko naredila?
Tudi Pepelka lahko …. je predstava za otroke, družine ter vse, ki želijo spoznati še drugačno Pepelko. Predstava sloni na popularni pravljici o Pepelki, ki ji v poznani različici v soočanju s težavami pomaga vila, prijateljice živali ter princ na belem konju. V Transformatorski različici bomo s tehniko spontane dramaturgije, ki predstavlja obliko gledališča zatiranih, skupaj z gledalci razvijali pravljico po svoje, z raziskovanjem drugačnih zapletov in razpletov Pepelkine zgodbe.

Izvedba: KUD Transformator

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SOBOTA, 8. 7. 2017, 21.00
 IMPRO FORUM

Impro forum je transformatorska specialiteta, nova tehnika gledališča zatiranih, ki jo razvijamo člani in članice društva, v katerem se zanimamo za delovanje gledališča zatiranih tukaj in zdaj ter kombiniranje z drugimi gledališkimi pristopi – v tem primeru z improvizacijskim gledališčem, ki ga povezujemo in postavljamo v najbolj znano in popularno tehniko gledališča zatiranih, forumsko gledališče. Improforumska predstava je predstava forumskega gledališča, ki temelji na improvizaciji, kar pomeni, da pred predstavo igralci nimajo nobenega v naprej predstavljenega scenarija. Scenarij predstave se oblikuje na licu mesta, glede na predloge iz občinstva. To pa predstavo popelje po v naprej neznanih poteh raziskovanja in razreševanja različnih situacij, ki jih iz življenja premikamo na oder in spet nazaj.

Izvedba: KUD Transformator

THURSDAY, 6. 7. 2017, 20.00
BRUTALCI

Who doesn’t know Butalci, the good-natured country folk from Slovenia who really knew how to enjoy life in their outgoing thickheadedness? Many of their stories and adventures can tell us a lot about ourselves, about who we are and what we are like. But then, something strange started to happen. The better they had it, the more Butalci started to get grumpy, unsatisfied and malevolent. They forgot about friendship, they picked on their neighbours and started to erect walls around themselves and in their heads. And then, out of the blue, they disappeared. What happened to them? Come and join us, and together we migh discover how Butalci became Brutalci.

Concept: Urban Logar, Jaka Andrej Vojevec
Director: Jaka Andrej Vojevec
Music arrangement: Urban Logar
Performers: Urban Logar, Jaka Andrej Vojevec
Producer: Klavdija Zupan
Production: KUD Transformator
​Coproduction: Društvo Matafir

FRIDAY, 7. 7. 2017, 21.00
​WHO CARES?

Evelyn cares for her father Richard who is a little bit demented and sick. She has almost no free time because her father wants no nursing personnel to care for him, he still has his daughter. Martin, Evelyns brother does seldomly and reluctantly care for his father and he doesn‘t seem to be very talented in it. In the course of „Who cares?“ patriarchal ideal images of the family become visible and it becomes clear very fast that CARE work also misses societal recognition.

The new forum play of „Das ReflActiv“ deals from different perspectives with injustices in CARE work: In nursing old people pr children, household chores, women do the greater part of societally necessary care work that is not acknoledged enough. The piece also works with problems that emerge for men in a constitution of care work as female. The piece „Who cares?“ looks at different phases in the life of people.

Presented by: Das ReflActiv (TdU Wien)

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​SATURDAY, 8. 7. 2017, 19.00
CINDERELLA CAN, TOO (performance for children)

What would Cinderella do…
If birds wouldn’t know how to sew?
If the fairy godmother lost her magic wand?
If the handsome prince got diarhea?
Wha, oh what would Cinderella do?
Cinderela can, too… is a performance for children, families and everyone who wish to get to know a different Cinderella. It is based on the well-known fairytale of Cinderella who in the acclaimed version gets help from the fairy godmother, friendly animals and prince charming to overcome her trouble. In the Transformator version however we will use spontaneous dramaturgy, a technique of theatre of the oppressed, in order to involve the spectators and develop the story in a different by exploring other possible twists and turns of Cindetella’s story.

Presented by: KUD Transformator

​SATURDAY, 8. 7. 2017, 21.00
IMPRO FORUM

Impro forum is a speciality of KUD Transformator, a new technique in the theatre of the oppressed developed by the members of our association. It focuses on how theatre of the oppressed can function in the here and now by combining it with other theatre approaches – in this case improvisational theatre which is included into the most popular of the theatre of the oppressed techniques – the forum theare. It is a forum performance based on improvisation. This means that the actors have no pre-prepared script or text. The script is developed ad hoc and in situ, based on suggestions from the audience. This leads the performance into new, uncharted territories in researching and resolving different situations that become transposed from the real life onto the stage and back again.

​Presented by: KUD Transformator

Organizirano varstvo za otroke v času delavnic bo izvajala Danijela Zajc.

Program obsega:

– cirkuške urice (žongliranje, diabolo, zračni ples na tkanini, akrojoga…)
– ustvarjalne urice iz naravnih in recikliranih materialov
– razgibavanje telesa, ples in akrojoga
– gibanje in sprehodi v naravi

Program vključuje tudi:

– petek, 7. 7. 2017, ob 19.00: predstava za otroke in družine Tudi Pepelka lahko
– sobota, 8. 7. 2017, od 10.00-13.00 in od 15.00-18.00: gledališka delavnica za otroke (mentorica Teja Bitenc)
– sobota, 8. 7. 2017, ob 19.00: produkcija gledališke delavnice za otroke

PROGRAMME FOR CHILDREN

Organised child minding will be led by Daniela Zajc.

The programme includes:

– circus skills (juggling, diabolo, aerial silk, acroyoga)
– creativity with natural and recycled materials
– streching, dance and acroyoga
– going for walks in nature

The programme also includes:

– Friday, 7.7.2017, 19:00: Cinderella can, too – performance for children and families
– Saturday 8.7. 2017, 10:00 – 13:00 and 15:00 – 18:00: Theatre workshop for children (facilitated by Teja Bitenc)
– Saturday 8.7. 2017, 19:00: End production of the theatre workshop for children

ČETRTEK, 6. 7. 2017

od 15.00 registracija
18.00 otvoritev Ne-festivala
19.00 otvoritvena večerja
20.00 Brutalci: glasbeno-gledališka predstava

PETEK, 7. 7. 2017

10.00-13.00 DELAVNICE
13.00-15.00 kosilo in prosto
15.00-18.00 DELAVNICE
18.00 večerja
21.00 forumska predstava Čigava skrb?

SOBOTA, 8. 7. 2017

10.00-13.00 DELAVNICE
13.00-15.00 kosilo in prosto
15.00-18.00 DELAVNICE
18.00 večerja
19.00 Tudi Pepelka lahko (predstava za otroke in družine)
21.00 impro forum

NEDELJA, 9. 7. 2017

10.00-13.00 DELAVNICE
13.00-15.00 kosilo in prosto
16.00-17.00 produkcija delavnic
18.00 večerja in zaprtje Ne-festivala

​*Pridržujemo si pravice do spremembe programa.

PROGRAMME*

THURSDAY, 6. 7. 2017

from 15.00 registration
18.00 opening of the Non-Festival
19.00 opening dinner
20.00 Brutalci: musical-theatre performance

FRIDAY, 7. 7. 2017

10.00-13.00 WORKSHOPS
13.00-15.00 lunch and free time
15.00-18.00 WORKSHOPS
18.00 dinner
21.00 forum play Who cares?

SATURDAY, 8. 7. 2017

10.00-13.00 WORKSHOPS
13.00-15.00 lunch and free time
15.00-18.00 WORKSHOPS
18.00 dinner
19.00 Cinderella can, too (performance for children and families)
21.00 impro forum

SUNDAY, 9. 7. 2017

10.00-13.00 WORKSHOPS
13.00-15.00 lunch and free time
16.00-17.00 presentation of workshops
18.00 dinner and closing of the Non-festival

*We hold the right to change the program

CENA: 
45 € za štiri dni*
40 € za tri dni*
30 € za dva dni*
15 € za en dan*
*Cena vključuje delavnice, večerni program, prenočišče v Ne-festivalskem kampu ter vegansko/vegetarjansko kosilo in večerjo.

Osnovni namen Ne-festivala gledališča zatiranih je tvorjenje GZ skupnosti, povezovanje, izmenjava izkušenj, znanj in spretnosti ter širjenje pristopov gledališča zatiranih ter drugih pristopov, ki podpirajo gledališče zatiranih ali so jim sorodni. Z željo po tkanju povezane skupnosti, je Ne-festival odprt za 50 udeležencev, vključujoč organizatorje. Na Ne-festivalu vsi sodelujoči soustvarjamo vse aktivnosti po principu aktivne participacije temelječe na skupnostnem delu. To pomeni, da Kulturno umetniško društvo Transformator koordinira vse praktične elemente festivala, vsi udeleženci pa Ne-festival skupaj aktivno soustvarjamo in sooblikujemo. Smo okolju prijazen festival, k čemur težimo z racikliranjem, naravno izdelanimi detergenti, vegansko hrano in samooskrbo.

Barbara Polajnar – programska vodja in producentka
Petra Kosi – stiki z javnostjo in promocija
Urša Adamič – producentka in stiki z lokalno skupnostjo
Jaka A. Vojevec – vodja kempa, logistična podpora in prevajalec
Nežka Struc in Primož Časl – Ne-festivalska kuharja
Ankica Radivojević – urejanje spletne strani